Symbols of Oppression in the First and Final Passages of Chopin’s The Awakening :: Chopin Awakening Essays

Symbols of Oppression in the premier(prenominal) and Final Passages of Chopins The AwakeningThe front man of birds in the first changeover of The Awakening seems to foreshadow some of the characteristics of the protagonist. It is rather interesting that the parrot is outdoors, date the flouter is inside. Perhaps this would represent the presence of opposites in this novel. The parrot seems to be provoking the mockingbird in order to get some crystallise of response. This seems to point to the presence of loneliness which the protagonist feels. However he is macrocosm rather anti social by stating Allez vous-en Alez Vous Saprisit Thats all proper(ip) I may be wrong, but I believe that promoter Go Away Go Away Damn it in French. This altercation between the parrot and the mockingbird could point to the presence of a green-eyed troth within the characters. On the surface it seems that the parrot is rather stir up that the mockingbird, a bird that is generally found outdoors, is inside while the parrot, a domesticated pet is kept outside. Ironically though both birds be actually trapped with the parrot being held in the cage and the mockingbird being trapped indoors. The cage symbolizes being trapped whether literally or figuratively. Also the presence of characters that are not understood by their milieu might shed some light on the inner conflict of the novel. It is to a fault useful to point out that the parrot, a bird which mimics its surroundings is being mimicked by a bird which also mimics, much(prenominal) as a mockingbird. The may point to the possible presence of a theme of mimicry in this novel.The final passage possesses symbols which represent granting immunity and terror. The tone of this passage is one of personal closure for the protagonist. The is an emphasis upon voices throughout this passage, especially with the presence of the voices of her father and sister. It is hard to tell if the protagonist tangle any true regret as she s ank. It seems more like she is relieved. It is also possible that she felt as though no one could maybe understand her. There is an emphasis upon with masculinity and femininity in this passage. The spurs of the calvary officer clanging across the porch symbolize the strong masculine presence in the novel. It is possible that this strong masculine presence was what oppressed the protagonist, thrust her to suicide. Directly after the strong masculine line is a precise feminine one, There was the hum of bees, and the musky odor of pinks filled the channelize.