Masque Of The Red Death English Literature Essay

death is ineluctable How The Masque of the Red demolition Illustrates the Inevitability of finale. The Masque of the Red Death, written by Edgar Allan Poe in 1845, displays a cert personal cogitation about the irrevocability of decease. The history follows Prince Prospero as he tries to utilize his wealth and power to evade a deathly pestilence by concealing off in an abbey with a 1000 other invitees nevertheless, Death is the vanquisher of this memoir as the annals concludes with the decease of Prince Prospero and whole of the invitees. In The Masque of the Red Death, Poe describes a composition that decease is ineluctable as can be seen in the narrator, the mockery of the underground plan itself, and the huge sum of symbolism in the narrative.The narrator adds to the subject of the narrative because the fibber in The Masque of the Red Death is Death itself because of the incompatibilities planted by the writer in individualistic, tense up, and chronology throughout the narrative. The commence of The Masque of the Red Death is written in 3rd individual yet, in three topographic points in the narrative, the narrative is in first- soul, proposing that the narrative is really a storyteller, a character in the narrative. The following starting line of grounds is the difference in tense in the narrative. In the narrative, the tense of the narrative displacements from past to show. The significance of the tense displacement suggests non merely that the storyteller was present during the events of the narrative merely anyhow that the storyteller survived the event in order to state the narrative. The 3rd piece of grounds alludes to the design of Death as the storyteller is in the chronology of the narrative. The narrative is evidently written during the ramble on of feudal system and aristocracy nevertheless, in the narrative, the storyteller mentions Hernani, a nineteenth century work by writer Victor Hugo. By utilizing this men tion, Poe is stating that the storyteller was non merely present at this event, perchance in the Middle Ages just now besides lived through the 19th century. The clip difference placed by Poe spans 100s of old ages, touching to the thought that the storyteller must be person or something that has existed 100s of old ages. Because Poe creates incompatibilities that do non adhere to a individual example of storyteller or narrative, Death itself becomes a really plausible resource for the storyteller. The fact that Death is the storyteller of the narrative merely builds up and intensifies the boilers suit subject of the narrative that decease is ineluctable.Since Death is a plausible the storyteller of the secret plan, the following subscriber to the general subject of the narrative is the reek of sarcasm found in the secret plan of the narrative. In the narrative, Prospero has a rubric of aristocracy nevertheless when word of the Red Death comes, Prospero flees, go forthing the outside universe to take attention of itself ( 231 ) . Prospero is irresponsible in the eye of the reader, because he does non cargon about any of the topics underneath him but considers his ain life and the lives of his friends to be indispensable. The sarcasm of the secret plan is seen in the backing of Prince Prospero because he genuinely believes that his wealth and place in the universe go away let to redeem away decease. The sarcasm of the narrative is rooted in this thought that decease can be cheated because of money and power passim the class of the narrative, the Prince holds to this thought that he is above decease nevertheless, in the storehouse of the narrative, allegori blazon outy, Death overcomes. The irresponsibleness of Prospero becomes dry because locking themselves in this monolithic abbey in an effort to get away the disease is what seals their destiny in the terminal of the narrative. The abbey as described by the writer, A strong and exalted beleag uer girdled it in. This wall had Gatess of Fe. The courtiers, holding entered, brought furnaces and massy cocks and welded the bolts. They resolved to go forth agencies neither of assiduousness nor egressa ( 231 ) . When Death comes for them at the terminal of the narrative, it is by their ain making that they are trapped in this monolithic abbey, their lone pick, to eventually accept the call of Death.While the function of the storyteller and the sarcasm found in the secret plan attention deficit disorder to the subject, the chief subscriber to the subject of The Masque of the Red Death is the multiple histories of symbolism given in the narrative. The symbolism of the narrative is swelledly seen in two elements of the narrative the interior decoration of the abbey and the scorch caustic time. The decor of the abbey is described for the reader in a lot item, for a ground. The abbey is set up of seven suites from E to West and are arranged in a colour form of blue, imper ial, green, chromatic, white, violet, and the last mode is black. The different colourss of the suites are symbolic of the human life rhythm. The colourss can be read from east to west because the E is symbolic of get kill while the West is symbolic of stoping, like the rhythm of the Sun. The racy represents birth, the beginning. The purple can be viewed as development because the beginning ( bluish ) has been entangled with life ( ruddy ) . The green suggests life every bit good, but more in the sense of growing or young person. The orange represents the extremum of life, when the Sun is at its highest. The white alludes to the thought of aging. Violet is untold darker than the other colourss, because it represents the slow decay of life. Finally, the black room represents decease. Throughout the narrative, the invitees neer enter into the black room because they fear decease. The symbolism of the colourss of the room is besides found in the flood tide of the narrative. Pr ince Prospero chases ruddy decease from the bluish room and stoping with his decease in the black room, stand foring the stoping of a life. The invitees all run into the black room to uncloak ruddy decease, and they all die. in like manner in the black room, the large coal black clock is found. The large coal black clock is besides a symbol associated with decease. However, the clock does non intend decease straight. The clock represents the thought that even though the invitees are rip offing decease clip still goes on. Time does non stymie for the invitees, and the invitees know that they excessively will decease no affair what they do. This opinion is represented in the narrative because every clip the coal black clock bells signaling the hr, all the invitees stop their gallivanting and partying and go soundless, as if frozen. The coal black clock is a throwless reminder to the invitees of the Prince that they will non get the better of decease, but merely that their life h as one less hr. The symbolism of the coal black clock and the decor of the abbey are a major subscriber to the thought that decease is ineluctable.Edgar Allan Poe uses his command of composing to convey the thought that Death is grim in The Masque of the Red Death. This cardinal overall subject that decease is ineluctable can be seen in the storyteller, Death itself, in the dry nature of the secret plan, and most blatantly in the huge sum of symbolism scattered throughout the narrative. Death is requisite for everyone no sum of money or power can change this natural order.Work CitedPoe, Edgar Allan. The Masque of the Red Death. Introduction to Literature. 1st vertical dysfunction. Boston Pearson, 2011. 231-6. Print.