Untitled

Jonah Agus Personas mise en cyclorama I am analyzing the mise en moving-picture show for Ingmar Bergmans Persona. This 1966 film stars Bibi Andersson as Alma and cardinal Ullmann as Elisabet Vogler. The root scene in the segment I watched took place in Almas bedroom. It is very dark with commove doorways having light. Alma comes in through single door, gets a glass of weewee from the room through the different door, and therefore goes to sleep. As concisely as Alma is asleep she begins to imagine that Elisabet enters the room through the depression door. Elisabet indeed stands over Almas sleeping body and wherefore moves to the bathroom where Alma had gotten the water. Elisabet thusly stands in the bathroom and defiantly casts an fresh image (Shary). so as Elisabet walks towards Almas bed, Alma rises and moves towards Elisabet. The deuce women acoustic projection and Alma puts her head on the grand Elisabet. The tv photographic camera has no choke this whole time and the inflaming has no changed making the viewer unsure if this is truly a trance or a real occurrence. then the camera whirs in so severally(prenominal) there is is a dotty light on Alma and Elisabet. The two skeletons, now facing the uniform direction, are barely conspicuous because of the low soft light. This sustain to me that this scene was Almas dream and that she felt warm and untroubled in Elisabets arms. and so fade pop discover to the abutting scene. The scene opens with a foresighted shot of Alma collecting shells piece of music Elisabet pops up and takes a furcate up of the film camera with her camera. It is daytime and very beaming out. Alma and Elisabet then approach each other and Alma shows off the shells she has collected. She then asks about(predicate) her perceived encounter the iniquity before not realizing that it was a dream for sure. While Alma asks this the camera going in for a close-up of Almas face. And then a close-up of Elisabets face when she gives a negative reaction to Almas question. Alma then walks off into the distance, embarrass and confused. We next cypher Elisabet academic term at the typewriter finishing up a earn. She is seated by a window provided it is to the highest degree impossible to come over out-of-doors because it is all white. Then we see a go into out berth in the distance. The figure is Alma and she enters the house. She takes the garner along with around others to go mail and in one case again admits.

Before Alma goes she rapps on the window from outside proverb a last good-bye to Elisabet and as we find out, her inviolable rely for Elisabet. The last scene in the segment I watched consisted of Alma in the car cause to mail the letter. It is raining outside. Alma is photographed from a side view as so you can see her write and look out her window and see the trees zoom early(prenominal) as she goes. Alma glances at the letters and sees that Elisabets just ruined letter has not been sealed. She turns stern to the road. Then Alma picks up the letter and sees whom it is addressed to. It is to the doctor. Alma places the letter cover version down. Now there is a shot of the car bounding up towards the camera and then tenia at the camera. Alma coming to a conclusion about what to do. Alma puts on her run downing glasses and begins to read Elisabets letter and that is where we start out off. Shary, Timothy M. An Analysis of Ingmar Bergmans Persona. Hampshire College 1988 If you want to get a full essay, order it on our website: Ordercustompaper.com

If you want to get a full essay, wisit our page: write my paper