A Concert Performance to Remember Essay -- Journalistic Descriptive

Teacher Comment As a stop of the requirement for this course, each student must attend two consist performances and submit a concert advertise on each. The reports should demonstrate participating Listening and not be merely reviews or critiques. I am interested in the students experience at this circumstance performance. There is no obligation to use fancy terminology. Just secure me what happened, how it affected you, how this experience will influence your plans for future concert attendance? I am particularly moved by a report that helps me to relive the concert or one that makes me sorry that I mazed it. This essay does just that.The University Symphony Orchestra conducted by I. M. Conductor and featuring Young admirer on piano performed in Freeborn Hall on celestial latitude 3, 2004. Included in the program were works by the German twentieth-century composer capital of Minnesota Hindemith and the German romantic composer Johannes Brahms. Although both pieces were qui te long, the audience, comprised mainly of students (the concert was free), seemed daze by Holomans masterful command and Boriskins virtuosic display on the keyboard. The first piece performed, Hindemiths Symphony Mathis der Maler, called for the entire orchestra featuring an enormous wagon train and brass section as well as a rhythm section section complete with glockenspiel and triangle. After a brief intermission, Michael Boriskin appeared on stage with the orchestra for a splendid performance of Brahmss Concerto No. 2 in B-flat Major for Piano and Orchestra, opus 83. Since both pieces were quite long, this news will be devoted to the work by Brahms. The first movement, allegro non troppo, opened with a lone French horn stating the theme, which was then emulated ... ...ement seems the sinless release from the various passions of the first three. The piano and strings seemed to be blend more in the fourth movement. Often the two would play the thematic rhyth mic pattern in unison, heavily accenting and separating the notes. A fast run up the keys of the piano and a final swell in the strings brought Allegretto grazioso to an abrupt end. Prior to attending this concert, I had never seen a performance involving piano and orchestra, and quite frankly, I wasnt certain if it would work. I thought that the piano might overpower the orchestra, or fault versa, or that the combination would be too busy. I found that with a proper balance in the arrangement between piano and orchestra, and a skillful conductor such as D. Kern Holoman collaborating with a adept such as Michael Boriskin, the genre can be most satisfying.